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  Schedule  
 
TU 26 / 09
     
     
WHAT'S SO RIGHT ABOUT COPYRIGHT?    
     
  - What is the role of copyright in the globalisation of the economy?
- In what direction is the European legislation evolving?
- How do the copyright owners societies work?
- On wich criteria do rely their accountability?
- How do copyright-management associations like SABAM in Belgium and ADAMI in France work, and on what legal basis do they operate?
     
16.00 - 17.00
interviews    
17.00 - 18.00 Joost Smiers (NL)  
  director of the Centre For Research of The Utrecht School of the Arts  
18.00 - 19.00 Suzanne Capiau (B)  
  lawyer and director of the European Institute for Author Rights.  
19.00 - 20.00 Séverine Dusollier (B)  
  Head of Department of Intellectual Property Rights Centre, Namur.
http://www.droit.fundp.ac.be/cv/sdusollier.html
20.00 - 21.00 conclusions, live debate.    
     
     
WE 27 / 09      
     
WHO ARE THE PIRATES?  
     
  - Are Napster users delinquents?
- Or are the Majors the real gangsters?
- Is the Internet repeating the history of pirate radio?
   
     
16.00 - 17.30 interviews    
17.30 - 19.00 Richard Barbrook (UK)  
  coordinator of the Hypermedia Research Centre at the University of Westminster
http://www.hrc.wmin.ac.uk
19.00 - 20.00 group discussions    
20.00 - 21.00 conclusions, live debate.    
     
     
TH 28 / 09  
     
THE GENERAL PUBLIC LICENSE AS GUIDELINE FOR CONTEMPORARY CREATION
COPYRIGHT AND THE STAGE: AN OVERVIEW.
 
     
16.00 - 17.30 interviews.    
17.30 - 19.00 Antoine Moreau (FR)  
  artist and initiator of Copyleft Attitude and the License Art Libre
http://copyleft.tsx.org
 
  Annabelle Hagman (FR)  
  at Humboldt University, Berlin, is writing a thesis on comparative rights based on the choreographer's copyright.
19.00 - 20.00 group discussions    
20.00 - 21.00 conclusions, live debate    
     
     
FR 29 / 09      
     
MUSEUMS ON LINE AND THE PUBLIC DOMAIN:
"RAIDERS OF THE LOST ARK?"
     
  - What are the specific problems for author rights in a museum context?
- What kind of conflicts are generated by the opposition of copyrights -and digital technology when contemporary artists base their work on -practices such as detournement, reappropriation, quotation and -collaboration?
     
16.00 - 17.00 "The Esthetics of the Copy and the Pragmatics of Rights"  
  Christine Van Assche (FR)  
  head curator/producer , Centre G. Pompidou  
17.00 - 18.00 Presentation of the updates of the New Media Encyclopedia  
  - Centre Georges Pompidou (Paris):
http://www.newmedia-arts.org
 
  Etienne Sandrin (FR)  
  head coordinator  
  Laetitia Rouiller (FR)  
  assistant coordinator    
  Pierre Dos Santos (FR)  
  web designer    
  - Ludwigmuseum (Köln):
http://www.museenkoeln.de/ludwig
   
  Reinhold Misselbeck (D)  
  curator,Photo And Video Department
 
  - Centre Pour l'Image Contemporaine Saint-Gervais (Genève):
http://www.sgg.ch
 
  André Iten (CH)  
  director    
  Lysiane Lechot-Hirt (CH)  
  coordinator
   
18.00 - 19.00 Christiane Carlut (FR)  
  professor of Video Art History, ERBAN, Nantes, curator of the symposium Copyright-Copywrong  
19.00 - 20.00 Rachel Mader (CH)  
  scientific assistant at the Federal Office for Communication, Switzerland, and curator of "Stolen Ideas".  
20.00 - 20.30 "Copyright Island",- -video    
  Federico Guzman (SP)  
20.30 - 21.30 conclusions, live debate    
     
     
SA 30 / 09      
     
CONCLUSIONS    
     
14.00 - 16.00 conclusions, synthesis with:    
  Christiane Carlut (FR)  
  Christine Van Assche (FR)  
  Reinhold Misselbeck (D)  
  André Iten (CH)  
  Lysiane Lechot-Hirt (CH)  
  Joost Smiers (NL)  
  Suzanne Capiau (B)  
  Séverine Dusollier (B)  
  ...    
19.00 - 20.30 "What will we do for an encore?"    
  Hillel Schwartz (USA)  
  cultural historian, visiting professor at UC San Diego, author of the book The Culture Of the Copy
21.00 - 22.00 Radiolab café9
http://www.brussels2000.org/radiolab
   
  Pierre De Jaeger (B)  
  C-DRIK (B)